Stunning photos show swooping fighter jets, massive explosions and touching homecomings for the Military Visual Awards

STUNNING photos showing swooping fighter jets, massive explosions and touching homecomings have been selected for the Military Visual Awards this year.

These incredible scenes aim to celebrate photography of the brave men and women in uniform and also give a glimpse into their daily life.



The powerful images show soldiers from around the globe – including Brits, Americans and Swedish troops – on tour.

But they also capture the effects of conflict with a coffin draped in the star spangled banner flag and a marine kissing his sweetheart as he returns home.

In one of the photos, a CH-53E Super Stallion helicopter whips up a mini tornado with its powerful rotor blades, while Call of Duty-style marines wield machine guns.

The annual Military Visual Awards was founded in 2018 to showcase first-class military photography and videos.

US Marine Dana Beesley – who leads a 16-marine team specializing in military PR – was crowned the MVA photographer of the year.

Her powerful image of a woman snogging her camo-clad marine as he returns home from war beside a sign which reads: “I’ve been waiting my whole life to meet you – welcome home daddy.”



















Another photo shows the silhouette of a Black Ops-style trooper who looks like a modern knight in his body armour.

Trevor Cokley’s epic snap shows US air force graduate cadets making it snow as they throw their hats into the air with joy, as military jets roar overhead to welcome them to the forces.

The flag-covered coffin being loaded carries US Army Spc. Antonio Moore of 346th Engineer Company who was deployed in Syria but died when his vehicle flipped during a route clearing operation.

Angel Ruszkiewicz captured the arresting image which brings home the human toll of war.

Another photo shows brawny Air Force wrestler Cody Surratt celebrating after he slammed his competitor into submission in a February 2020 final, the image was taken by Joshua Armstrong.

















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